use of fake

the possibility of the spoken word (derrida)

“If the trace, arche-phenomenon of ‘memory,’ which must be thought before the opposition of nature and culture, animality and humanity, etc., belongs to the very movement of signification, then signification is a priori written, whether inscribed or not, in one form or another, in a ’sensible’ and ’spatial’ element that is called ‘exterior.’ Arche-writing, at first the possibility of the spoken word, then of the ‘graphie’ in the narrow sense, the birthplace of ‘usurpation,’ denounced from Plato to Saussure, this trace is the opening of the first exteriority in general, the enigmatic relationship of the living to its other and of an inside to an outside: spacing. The outside, ’spatial’ and ‘objective’ exteriority which we believe we know as the most familiar thing in the world, as familiarity itself, would not appear without the grammé, without difference as temporalisation, without the nonpresense of the other inscribed within the sense of the present, without the relationship with death as the concrete structure of the living present. Metaphor would be forbidden. The presence-absence of the trace, which one should not even call its ambiguity but rather its play (for the word ‘ambiguity’ requires the logic of presence, even when it begins to disobey that logic), carries in itself the problems of the letter and the spirit, of body and soul, and of all the problems whose primary affinity I have recalled. All dualisms, all theories of the immortality of the soul or of the spirit, as well as all monisms, spiritualist or materialist, dialectical or vulgar, are the unique theme of a metaphysics whose entire history was compelled to strive toward the reduction of the trace.” — Jacques Derrida, Of Grammatology, publ. John Hopkins University Press., 1974. Chapter Two (Linguistics and Grammatology)

they themselves are doing it…

“Most people mistakenly think that when they hear a piece of music, that they’re not doing anything, but that something is being done to them. Now this is not true, and we must arrange our music, me must arrange our Art, we must arrange everything, I believe, so that people realize that they themselves are doing it, and not that something is being done to them.”
John Cage, Interview with Roger Reynolds, 1962